For over four years we put our heart and soul into the company, watching it grow from a late-night concept where we could publish what we really wanted to read, to a powerhouse press that led to connections with Hollywood film directors and some of the best (and most successful) writers in the genre.
Our growth, while seemingly controlled enough not to overreach, was still too much too fast. We believed that six books a year was controllable and do-able, but the rapid increase in sales when we changed to a full-service active distribution model incurred too high a cost for printing and marketing. That, combined with the much slower payment period for sales, led to the point where Cohesion had zero income for well over a year after swapping to the new distributor.
We managed for that year, but with even more sales incurring even more costs, we are now in the difficult position where we can push on and ask authors to wait longer than they should to receive payments owed, or we can close and pay authors off in a much more timely manner.
No matter how much it hurts to shut down, we are more concerned with paying our authors their due. Therefore, all Cohesion titles are being pulled from distribution and all rights are being reverted to the authors.
That said, it will take a few weeks for the process, as we have a number of levels of distribution to work through in the shut-down. Our books will still sell from distributors while they have copies they already purchased in their warehouses, and ebooks will be available for the short time it takes for retailers to process the removal.
If you have ever wanted one of our books, and put it off for later, NOW is the time to buy, before they disappear for good.
This applies to all SNAFU titles as well as novels and collections.
Thanks for your loyalty and following over the years.
“How Publishing Works: A Book Designer’s Perspective” | Zoë Sadokierski | 13th November, 2014 | Aerogramme Writers’ Studio.
Authors don’t write books, they write manuscripts. Publishing is the process of getting an author’s manuscript into the hands of a reader, by materialising it – giving it form, as a book. This may be printed (a codex) or digital (an ebook).
The author’s manuscript is either solicited (the publisher asks them to write it) or unsolicited (the author writes it, then shops for a publisher). Being rejected is awful and publishing contracts are complicated, so many authors employ an agent to negotiate a deal with a publisher.
The “publisher” refers to either the publishing house (such as Penguin Random House or Text Publishing), or the person whose title is Publisher. Within a single publishing house there may be several publishers, each overseeing a different list based on genre. For example, there may be a literary publisher, an academic publisher and a non-fiction publisher within the same publishing house.
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Lethe Press – Speculative Fiction Anthologies Genre: Queer Speculative Fiction – Anthology
Deadline: December 31st, 2017
Length: 4,000 to 14,000 words
Payment: 5 cents a word, 2 cents a word if a reprint.
Lethe Press is an independent publishing house specializing in speculative fiction and books of queer interest. Named after the Greek river of memory and forgetfulness, Lethe Press is devoted to ideas that are often neglected or forgotten by mainstream publishers. Founded in 2001 by author Steve Berman, Lethe Press has grown steadily to become one of the larger gay presses. We are the number one publisher for LGBT speculative fiction–no other press has won the Lambda Literary Award for that category so often (not only five times but five times in a row). We know our fantasy, our science-fiction, our horror.
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“Rewriting the 7 Rules of Dialogue” by Steven James | 28th June 2016 | Writer’s Digest: The Writer’s Dig.
“Most of us have heard the typical advice about writing dialogue—make sure your characters don’t all sound the same, include only what’s essential, opt for the word said over other dialogue tags, and so on.
While these blanket suggestions can get you headed in the right direction, they don’t take into account the subtleties of subtext, characterization, digressions, placement of speaker attributions, and the potentially detrimental effect of “proper” punctuation.
So, let’s delve into the well-intentioned advice you’ll most commonly hear, and what you need to know instead.”
- Dialogue should stay on topic.
- Use dialogue as you would actual speech.
- Opt for the speaker attribution said over all others.
- Avoid long speeches.
- Be grammatically correct.
- Show what the characters are doing while they’re talking.
- Keep characters’ speech consistent.
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The Ward Room – Military and Technical Assistance for Authors
The Ward Room Mission Statement
To provide accurate and concise information about the confusing world of the US Military. The Ward Room’s main goal is to assist authors, editors and others who are working on a military themed written project that have a desire to enhance the detail to be as authentic as possible.
Topics covered under Writer Resources
- Gun Versus Weapon, rifle, sidearm, or firearm
- Magazine Versus Clip
- Silencers Versus Suppressors
- Bullet, Cartridge, and Round
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“16 Rules of Blog Writing & Layout”| 30th January, 2017 | Writers Write.
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“5 Things Breaking Bad Can Teach Us About Writing” by| 26th November 26, 2016 | Writer’s Digest.
“I think the general consensus among those writers who teach the craft is that you must read—and read widely—about the craft of writing, particularly those authors who write in your genre. But I think there’s a lot you can learn about writing from other mediums, too. Specifically television. Every other week, I’ll bring you takeaways from some of the best television shows out there. These are meant to be specific concepts, themes, techniques, etc., that a writer can learn from the show. This post will help you understand the intricacies of plot.
This week we’ll take a look at Breaking Bad. Potential spoilers follow. This post will focus specifically on some crucial elements of storytelling, and how you can use them to develop an excellent plot. Each one of these elements is used successfully in the hit show Breaking Bad. I’ll show you how each one is used in this show, and provide a potential application for your own plot.”
“1. Craft Unique Character Motivations
The number one thing you need for a successful and compelling plot is character motivation. Every character in Breaking Bad has terrific motivation for their actions.”
“2. Develop Multiple Conflicts
Good plots are nothing without good conflict. With multiple characters who all have unique motivations, you can create conflicts between each of these characters.”
“3. How to Use Foreshadowing Effectively
Breaking Bad uses foreshadowing throughout the plot. Sometimes it’s more heavy-handed than other times.”
“4. Utilize Flashbacks and Flash Forwards
I don’t recommend using these two techniques often in fiction, but using them sparingly can be effective in creating suspense in your plot.”
“5. The Importance of Recurring Plot Elements
Recurring elements are important because they draw plot lines together. They connect stories and people, and they recall to earlier points in a story, or point to something in the future.”
Read more via 5 Things Breaking Bad Can Teach Us About Writing
“Do You Need an Author Platform” by Mia Botha | 16th July, 2014 | Writers Write.
“Is it important to have a platform?
For any aspiring author it is something you need to establish as soon as possible. Your online presence is where you will direct publishers in your query letters and how you will reach readers if you wish to self-publish. Basically you want to build your following before you publish.
How do you start?
Your blog is your base; which other sites you choose to use is up to you. Spend some time on each one before you decide. You use your social media pages to direct your readers to your blog or website. You can set up a blog using any of the sites. It is free and easy. So easy even I could do it. I got stuck at stages, but Google, or a friend, could always help me out. For your author platform you should think carefully about the topic of your blog or website. You can use it as a showcase, as an informative site for other writers, as a place to express your creativity, or as a window into a writer’s life.
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“Write Your Novel In A Year – Week 48: 5 Elements You Need In Chapter One To Hook Your Reader” by Anthony Ehlers | 2nd December, 2016 | Writers Write.
- Focus on polishing your first chapter.
Breaking it down
Your first chapter is the window to a showroom, beckoning us with a display of shiny new cars that promise adventure, an exquisite new dress in a shop window that hints at romance, or a candy display at a market promising the best sugar high ever.
How do you make sure you entice the reader in? How do you make that first critical chapter a moment of seduction, one the reader will never forget? In short, how do you get them hooked?
① The first line is your last chance to grab the reader.
② The world on the first page.
③ An unforgettable character or characters.
④ A challenging or thought-provoking question.
⑤ A last page that promises more.”
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“4 Super Easy Ways To Create Characters For Short Stories” by Mia Botha | May 3rd, 2017 | Writers Write.
“Characters in Novels versus Characters in Short Stories
Creating characters in short stories is the same as creating characters in novels, but once again, when dealing with a reduced word count we have to make our writing work harder. We don’t have 80 000 words to develop a character arc. How can we work with a reduced count and still have a fully developed character?
1. Write Epic Descriptions
Sometimes we only need one line to summarise a character. Find a way to describe them that creates an image for the reader of who they are.”
How does your character talk? Vocabulary, sentence structure and how they talk all help us to show character.
The age, level of education and nationality will all influence how your character speaks.”
“3. Body Language
Make your characters move. This conveys a lot about them. Make sure to use strong verbs.
Don’t say: the woman walked. That doesn’t tell us a lot about the woman. Rather say: she strode, she raced, she shuffled, she tiptoed. Those all create images and different scenarios.”
“4. Internal Thoughts
Internal thoughts are still one of the simplest ways of showing character. Once you are in the mind of a character you can share their motivation, thought processes and backstory.”
“By using a combination of these methods, you’ll be able to convey as much of your character as possible using the least number of words. Tip: Don’t forget to apply to principles of ‘show, don’t tell’ to really pack a punch.
Read more via 4 Super Easy Ways To Create Characters For Short Stories